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THE LEGACY OF SLEEPY HOLLOW
Morgan Leshay

“…25 years after the Headless Horseman’s famous midnight ride..."

Katherine Van Brunt, daughter and only heir to the infamous Abraham “Brom Bones” Van Brunt and Katrina Van Tassel, brings back the dead and loses her heart to the son of her father’s nemesis in her quest to save the legacy of Baltus Van Tassel…”

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BOOK OF THE WEEK: Archives
Romance Readers Book Of The Week
September 26, 2005
ARCHIVED FEATURE

UNFINISHED BUSINESS (from the UNDRESSED anthology)
by Suzanne Forster

Genre: Romance (sizzling)
Format: Mass Market Paperback
ISBN: 0373836791
Publisher: Harlequin

Buy This Book:
Available at Suzanne Forster's Website
BarnesandNoble.com
Amazon.com

FROM THE BACK COVER:

Writer Melissa Sanders never dreamed she’d wake up to find a handsome stranger beside her…and a ring on her finger! Blame it on the rum cocktails, but after one wild night in Cancun, she suddenly had a husband! In a panic, she took the first plane out of Mexico, vowing to put Tony Bond out of her mind…though she knew her body would never forget his touch.

To years later, Melissa has written a sizzling book based on sexual tricks she’s done with her “husband”…tricks she still longs to do. She even dedicated the book to him! But when Tony shows up for her book tour, ready to play the devoted spouse, she doesn’t know whether to kill him—or kiss him. Especially once Tony makes it clear the honeymoon isn’t over….

WHAT OTHERS ARE SAYING ABOUT THIS BOOK:

“…Forster’s story will leave readers…sighing with pleasure.”
--Romantic Times

"...fans of heated contemporary romance tales starring a pragmatic female with a starry-eyed male (nice gender bender for a change) will appreciate UNFINISHED BUSINESS. The clash of opposites make for a fun time for readers as the male romantic tries to persuade the skeptical female that he meant his vows and plans to prove that every day for the rest of their lives."
~Harriet Klausner

MEET THE AUTHOR:

Acclaimed author Suzanne Forster is living proof of Shakespeare’s maxim that the uses of adversity are sweet. Suzanne’s writing career began by accident. Literally. A car accident ended her dreams for a career in clinical psychology. During her recovery, she began writing to fill the hours, and before she was well enough to return to graduate school, she’d sold her first book and launched a new career.

Since then Suzanne has written twenty-plus novels and been the recipient of countless awards, including The National Readers’ Choice Award for Shameless, her mainstream debut. She’s received recognition for outstanding sales from Waldenbooks and Bookrak, and her twelfth novel, Child Bride, was that year’s top-selling Bantam series romance. Her romantic thriller, The Morning After, hit top spots on several bestseller lists, including the New York Times extended, USA TODAY, Waldenbooks, Borders and Barnes & Noble.

Suzanne has a Master’s Degree in Writing Popular Fiction, and she teaches and lectures frequently. Her seminars on Women's Contemporary Fiction at UCLA and UC Riverside were rated outstanding, and her most requested workshop, "The High-Concept Synopsis," is based on personal experience. Her breakout novel, Shameless, sold on a synopsis that triggered a bidding war and garnered her a six-figure contract.

Suzanne has received considerable media attention, including a feature segment on Extra, NBC's news and entertainment magazine, and an Emmy Award–winning "Special Report" on CBS Channel 23 News. Her many print appearances include the L.A. Times, the Philadelphia Inquirer, Redbook and Orange Coast Magazine.

READ AN EXCERPT:

“I’ll be fine. I can do this,” Melissa Sanders said. She sat next to Jeanie on the Green Room couch of Wake Up, America, patting the publicist’s tightly clasped hands.
 
“I really like the idea of picking couples from the audience and giving them the Naughty Sex Quiz. That should be fun,” she enthused, although in truth she felt a bit leery about the idea.

“Are you ready for some tough questions?” Jeanie asked. “In the last segment, Bobbi will take questions from the audience, but even she doesn’t know what they’re going to be. The show’s producers don’t want to lose the element of surprise.”

“I don’t think I could be surprised,” Melissa said dryly. “I’ve memorized the damn book.”

“Where’s your hubby, Ms. Sanders? How are you going to answer that one?”

“He’s in London on business travel. I’m hoping he can join me soon.” Melissa smiled and flashed the band on her finger at Jeanie. “See, I’m ready for anything. I’m even wearing a wedding ring.”

“Hey, good thinking,” Jeanie said. “That didn’t occur to me.”

Melissa felt an uneasy twinge as the gold ring glinted in the lights, but decided not to share its history with Jeanie. Maybe that’s why it was still on her finger—to help her pull off this crazy tour.
 
“You thought of everything else,” she told Jeanie. “It’s going to be fine.”

Of course, Melissa was certain she would be stricken with hysterical blindness during the broadcast and not be able to see the host or the cameras or anything. But other than that, it was a classic case of role reversal. Jeanie seemed more nervous than Melissa. There was more at stake than Melissa wanted to think about, so she was concentrating on being grateful that the booking hadn’t been cancelled. Antonio still hadn’t been located, but the marketing department had made an executive decision to go ahead without him. Wake Up America was too good a gig to pass up, and Melissa had finally convinced them she would be able make excuses for her missing husband.

Please, God, let him stay missing. It was much safer that way.

The green room door popped open, and the show’s guest-wrangler—the harried young woman who’d been squiring them around all morning—beckoned for Melissa. “C’mon! You’re up next!”

Melissa squeezed Jeanie’s hand. “I can do this,” she whispered. “I won’t let you down.”

Jeanie squeezed back, and some color returned to her ashen face. She began to straighten Melissa’s clothing, dusting the shoulders of her navy pinstripe pantsuit and straightening the starched collar of her man-tailored blouse. She even gave Melissa’s shiny brunette pageboy a smoothing.  It was probably a reflex action, but Melissa was encouraged that Jeanie was acting more like herself. Jeanie was about thirty-five and the perfect publicist, part brilliant sales strategist and part mother hen. There hadn’t been much strategizing going on this morning, but at least she was starting to make familiar clucking noises.

The guest-wrangler grabbed Melissa’s hand, dragged her out of Jeanie’s clutches, and quickly led her through the wings. Melissa heard a countdown, and then she was gently pushed onto a television set to tumultuous applause. The lights were surreal, like the spaceship landing in Close Encounters, but she could see a woman who looked like Bobbi Start rising from a couch and waving at her. She’d never seen the host through anything but her television screen. Now she looked as if she were a mile away. Was that a symptom of hysterical blindness?

Melissa wouldn’t have placed a bet on her chances of getting over there, but somehow she made the trip in seconds, and miraculously, there were no disasters. She didn’t trip or fall. Her fly didn’t unzip itself and her jacket didn’t catch on anything and rip off her body like stunt clothing. Did they have obedience schools for imaginations? She should have sent hers years ago. Down, imagination, down.

“Here’s our sex expert!” Bobbi rushed over and hugged Melissa as she stepped up on the pedestal set. Bobbi’s exuberance nearly knocked them both over, which the audience loved. They clapped and cheered, making Melissa feel as if she were in friendly company. She wasn’t surprised the show was a hit.

Bobbi projected that same sort of welcome to everyone. Tiny and boundlessly perky, the former Olympic gymnast was morning television’s bright new face. She’d brought Wake Up to the number two spot in the ratings, and it was swiftly gaining on number one. Who needs coffee with Bobbi Start in the morning? That was the show’s teaser.

“Melissa, Melissa, Melissa,” Bobbi gushed as they sat down. “You naughty girl! This book of yours is quite an eye-opener. Or should I say mind-opener?”

Bobbi held up 101 Ways, and Melissa blushed, mostly with pleasure. She’d been coached by Jeanie to think of herself as excited rather than nervous, which must mean she was really excited. Her insides were vibrating like one of those coin-operated motel beds.
 
“Please, yes, call it a mind-opener,” Melissa said. “My goal with the book is to help women think out of the box, so to speak, when it comes to their love lives. I believe we should be as creative in our quest for sexual enjoyment as we are in our quest for bargains at the mall. Think how happy everyone would be—and how skinny. You know sex burns nearly seven-hundred calories an hour. That’s better than the treadmill.”

Bobbi chortled. “But who could have sex for an hour?”

She doesn’t know Antonio, Melissa thought.

One of the cameras had a blinking red light, which Melissa had been told meant it was on. She glanced at it and smiled, hoping to send Jeanie a signal. See, I’m doing fine out here. Piece of cake.

“Why don’t we have some fun with the folks in our audience?” Bobbi suggested. “Let’s give a lucky couple the ‘Naughty Sex Quiz’ and see how they do. Do we have any volunteers?”

Hands shot up all over the studio, but one of the show’s pages was already out in the audience with a couple who’d volunteered before the taping. The page introduced the couple as in their thirties, married ten years and stuck in the sexual doldrums.

Melissa scanned the crowd nervously. Okay, so she’d invented the quiz for her book, but it hadn’t occurred to her that she’d be conducting man-on-the-street type interviews. She greeted the couple with a smile, pretending it wasn’t at all unusual to be casually probing into the intimate details of their lives.
 
“Do you indulge in sexual afterplay as well as sexual foreplay?” she asked them. “In other words, do you talk about your lovemaking afterward and tell each other what you liked?”

The man blushed, but the woman spoke right up. “What I’d like is to have sex,” she said.

The audience tittered, and Melissa found herself smiling, too. “Not to worry,” she said. “It sounds like a case of sexual batteries going dead. What you need is a jump start.” She rubbed her hands as if warming them. “To get the current flowing again, try something I call erotic flash-forwards. They’re fun, highly stimulating, and they’ll help you discover your own secret turn-ons.”

“What are erotic flash-forwards?” Bobbi asked.

The husband seemed perplexed, too. “I flashed someone once,” he said uncertainly. “There was a census-take at the door, and it was hotter’n hell that day, so I flapped my bathrobe to create a breeze—”

Bobbi jumped in again, apparently to save the audience’s delicate sensibilities. “I’m guessing Melissa is talking about visualizing the kind of sex you’d like to have with your partner. Right, Melissa? Fantasizing?”

“Yes, exactly.” She turned to the crowd. “And here’s a homework assignment for all of you. Next time you’re stuck in traffic or waiting in a line, use that time to daydream about what would thrill your soul if you were alone somewhere with your partner. It could be something you saw at the movies or read in a book, but don’t limit it to the obvious. Sure, you could have your partner brush your hair, but maybe you’d rather have him warm your bottom with that hair brush.”

“Just when it was getting interesting!” Bobbi clucked with disappointment as the show’s theme music began to play. “We have to take a short break, but stay tuned. Coming up next? How to make him sit up and beg for booty.”

As soon as the cameras were off, the set buzzed with activity. A rather morose young man refreshed Melissa’s water glass and Bobbi’s iced tea. Flowers were fluffed and pillows plumped. A sound woman checked the boom mikes, and a group of staffers huddled in discussions off to one side.

Melissa looked to Bobbi for approval and got a thumbs-up as the host leafed through her notes. “The next segment should be even better,” she said. “I see we have some great surprises in store. These producers of mine are geniuses.”

The guest-wrangler dashed out to powder Melissa’s nose so there was no chance to find out what Bobbi meant, but she wasn’t too concerned. Things seemed to be going pretty well. Even the married couple had been cute without trying to be. When you talked about sex, you had a real advantage, she’d discovered. The subject was a minefield of double entendres. You couldn’t go far without stepping on something. It was dangerous—and exciting.

“ . . . three, two, one—”

Melissa barely got a sip of water before they were back on the air. Bobbi held up the book again, and one of the cameras zoomed in for a close-up. The cover appeared on the monitor, and the name Melissa Sanders appeared on the screen. It gave her quite a jolt. That was her book! There’d been a flurry of activity getting ready, and it hadn’t dawned on her until now that she’d be seeing her own book on TV.  It almost felt as if they were talking about someone else, and she was here by mistake.

“Let’s talk about Chapter Five, Melissa. Some of these games sound like carnival rides: Joy Ride, Spin Cycle, Express Train to Blissville, Wing Ding Swing and Sexual Paste. Oh, and how about this one—the Velvet Tongue. Care to tell us about any of those?” Bobbi said with a coy wink.

“Well, the Wing Ding Swing involves having your partner push you in the swing, but not with his hands.”

“My, My.” Bobbi laughed. “Sounds like good coordination is required. How about Sexual Paste, hmm? You must tell us about that one.”

Melissa laughed, too. “Sorry, you’ll have to read the book. Sexual Paste is triple X-rated and much too hot for daytime TV.”

“Okay, but tell us this at least—which one of these games made your husband beg for more? Was it the Velvet Tongue, maybe?”

Melissa blushed. The interlude that had sparked the name Velvet Tongue was still achingly vivid in her mind, even after two years.

“Actually, Antonio inspired that game,” she said softly, “but I’m not sure I should tell you how.”

Bobbi rose, glancing toward the wings from which Melissa had emerged. “Well, then,” she said in a tone lilting with intrigue, “maybe Antonio will tell us himself.”

“What?” Melissa stared at Bobbi, who was now talking directly to the camera.

“Yes, folks, we have a surprise for Melissa. She doesn’t know anything about this, but we’ve brought her husband over from London, where he was traveling on business. We thought everyone would want to meet the man who inspired the Velvet Tongue.”

Bobbi flung out an arm. “Welcome, Antonio Bond!”

***

No one gasped louder than Melissa as a tall, dark and exotically handsome man walked onto the set of the talk show. His glossy black hair was a little longer than current trends dictated, but he’d never seemed the type who cared about trends. It caressed the nape of his neck and fell onto his forehead, making him look ever so slightly disreputable, but in the sexiest possible way.

On the other hand, he could have been a spokesperson for the line of clothes he wore. The casually tailored slacks, black silk shirt and woven leather sandals gave him the look of a man who’d just flown in from the south of France. The shadowed jaw beautifully carved his angular face. This was not the waiter who’d dropped to his knees in front of her and proposed. And yet, it was. This was Antonio. He had that same intense, prepare-to-be-swept-off-your-feet quality.

He walked to Bobbi first and shook her hand, then turned to Melissa, who had not yet managed to stand up. His dark gaze locked in on her, glinting with dangerous lights. Apparently he was in no rush. The set’s blinking red bulbs and ticking time clocks didn’t seem to faze him as he watched her efforts to rise with undisguised interest.

With a tug of his hand, he pulled her to her feet and said for everyone to hear, “Cara, it feels like years since I’ve held you.”

The audience sighed as he drew her into his arms. Melissa couldn’t even breathe. Her pulse throbbed so hard it hurt, but this wasn’t pleasure. She didn’t know what it was. Fear, excitement, wild anticipation?

The audience couldn’t hear what he whispered, and Melissa didn’t catch all of it either, but it sounded like, “Don’t expect to walk away from me again. Ever.”

She glanced up at him, startled, but all she caught was his fleeting smile. Lord, he was impossibly gorgeous. Still. That mouth of his was every bit as smolderingly gorgeous as the night he’d laid a trail of fiery kisses all over her nude, trembling body. Why was this happening to her? On national television?

“It’s just as beautiful as the night I put it on your finger,” he said.

Melissa wasn’t sure what he meant until he brought her fingers to his lips and kissed the woven gold band she wore. Her heart froze like a stone. It was the ring. She was jinxed, cursed. She would never escape him as long as that ring was on her finger. She could feel her imagination spinning away with her, and she made a desperate effort to stop it. Jinxes and curses were pure superstition. It was him, not the ring. He was her problem.
She needed some distance from him, but it felt as if she’d stepped onto a merry-go-round. If not for his arms around her, she would have tumbled off. The set swirled, and so did her thoughts. What had he actually said, and more to the point, what did he want from her? Maybe she was spinning out again, but could this be some kind of blackmail attempt? Was he after money? He’d never struck Melissa as that kind of man, but how well did she know his true character? Jeannie should have thought of all this before she tracked him down. Why didn’t she tell me she’d found him?

Antonio sat down next to her, and never in her life had Melissa been forced to gather her wits so quickly. She knew they’d been looking for him, but she hadn’t been prepared for him to show up this way. In all honesty, she hadn’t been prepared for him to show up at all. She hoped he’d been coached and knew what he was supposed to say and not say, but there’d been no sign of that so far.

She had no idea what to say either, especially to him. Have mercy, lord, don’t ravish me and fling me into the volcano? That should bring down the house.

“I can see this really is a surprise for Melissa,” Bobbi chirped. “Just look at her. She looks— Are you all right, Melissa?”

“I’m speechless,” Melissa managed. “How did you find him?” No, never mind! Don’t answer that.

Bobbi was already addressing the audience. “Somehow, I have trouble imagining Antonio begging for anything, don’t you?” she asked them. Heads nodded.

“Call me Tony, please,” he said. He graced Bobbi with a fleeting smile, then shot a penetrating glance at Melissa. “I think my bride should answer that. Have you ever heard me beg, Melissa?”

Melissa tossed him a bawdy wink. “Well, of course. My whole book is based on research.” She was not going to let this man intimidate her on national television. He was supposed to be her well-satisfied husband, according to the book, and if he didn’t know it, she would have to make that point somehow.

He leaned over and whispered in her ear, “Tell the truth, if you dare. And by the way, according to your book, I can arouse you to the point of orgasm this way. Is it working? Maybe you’d better let the audience think it is if you want to sell books.”

Melissa whimpered, but not in ecstasy. Every single eye was glued on her. She considered doing her best imitation of Meg Ryan in When Harry Met Sally, but the humiliation factor was too great. She couldn’t make those noises when she was having sex. Well, except with him, the rat, and she didn’t intend to give him that satisfaction now. She was already having flashbacks of their wedding night. In Technicolor and Surround Sound.

She could hear the sensual growl in his throat when he’d stolen inside her toga with his hand and found her naked skin for the first time. She could smell the body heat rising off his skin, and feel the rush of her own blood as she realized how addictive his touch could be. Somehow she had to hit REWIND and turn this video off!

Stalling for time, she reached for her cup of ice water. Her hand was shaking so hard, she could barely hold it steady, which gave her an idea. But could she do something that crazy? No, it was outrageous, much too risky. Yes, she could do it. She had to. It was the only way to put him off-balance and regain any kind of control. She sucked in some air, flashed Antonio a nervous smile—and emptied the entire mug into his lap. It had to be freezing cold, but he didn’t move a muscle that she could see. He just sat there, breathing through his nostrils, and did nothing while the audience gasped.

Bobbi sprang into action, looking for something to blot up the mess, and the guest-wrangler dashed over with a towel. She held it out to Tony, but Melissa grabbed it. “It’s okay!” She held up the towel, addressing Bobbi and the audience. “We’re playing a game called Oops! You spill something on the gentlemen’s lap, and then you get to clean him up. It’s very sexy. Right, Tony?”

Tony’s glance had gone darker than a creature of the night’s. Dracula didn’t have eyes that black and endless. In an ominous voice, he said, “I don’t know about Oops, but we have played a few games. The one I like best is the Runaway Bride and the Furious Groom—who takes his revenge when he catches up with her.”

Melissa gulped. She had little doubt that he was furious, and that she would pay for this in some unspeakable way. But that wasn’t the only thing that concerned her at the moment. The audience had all been given free copies of 101 Ways. She hoped no one would notice there was no such game in the book.

ROMANCE READERS CHATS WITH THE AUTHOR:

What is a typical writing day like for you?

That's pretty easy, actually. I just write A LOT. When I'm on a deadline, I'm in what I call my "every waking hour" mode, which means if I'm awake, I'm working. It's grueling, and I've been known to do that for up to a month, if necessary. The dh leaves food at the door and runs. <g>

The important lesson I've learned in the last couple of years is pacing. I have to give my brain breaks. Can't force it. When I'm starting to fade and I find myself struggling, I do some email or get up and stretch or go out and visit my flowers. If I'm really stuck, I take the afternoon off and go to a movie. Listening to music is good. Anything to fill the well back up. Actually, the quickest way for me to get unblocked is to take a shower. My brain is perverse. It loves to "shower" me with great ideas when I can't get my hands on a pen to write them down. Happens when I'm driving the car too. Something to do with beta brain waves?

I'm not the disciplined type who starts at six in the morning and works until early afternoon, takes a break and then spends her evening researching. I yearn to be that type. I'm just not. When I find myself procrastinating, I set a daily page/scene quota, and that immediately flips me in the obsessive-compulsive mode, which is when I'm at my most productive. But my writing schedule is never set in stone. I just work A LOT.

You write in several genres now. Would you please go into more detail?

I write in everything from suspense thrillers like THE LONELY GIRLS CLUB, which has a romantic subplot, to full-on romantic suspense like EVERY BREATH SHE TAKES and THE MORNING AFTER.

I also write sexy romantic comedy for Harlequin's blaze line and most of my novellas fall in the romantic comedy area. One of my Blazes, UNFINISHED BUSINESS (reissued in the UNDRESSED anthology), is being made into a movie by the Oxygen Network, to be aired late in 2005 or early 2006!

It's definitely a romantic comedy, and they've changed the title to ROMANCING THE BRIDE, partly to reflect that. It has not been easy to get any information about this production, but Harlequin’s Isabel Swift, who’s coordinating with the producers, did tell me about the title change, and that they are sticking with the premise, which they love—a woman waking up naked—and very confused—in bed with a man who tells her they were married on a dare. Isabel also said that one of the female stars of "That Seventies Show" has been cast as Melissa Sanders, the heroine of UNFINISHED BUSINESS, but unfortunately, we don't yet know which actress. We're also waiting to find out who plays Tony Bond, the very sexy and mysterious hero.

I also just finished one of more challenging projects of my career. It's an erotic novel called TEASE, which will launch Harlequin's new Spice line. The launch date is May 2006, and I have to say, I went outside my comfort zone for this one! It's about a woman advertising exec who gets roped into using a very exotic and sophisticated Manhattan S&M club for a photo shoot, and before she's done, she gets roped into a few other things, so to speak. Lots of fun. Shocked myself a few times, I must say, but in the nicest possible way. <eg> Adored the hero.

Do you find that your writing style has changed since you first became published?

Yes, my style has changed, and it's intentional. I'm a recovering perfectionist, and it was really getting in my way. I was overwriting everything! Someone once described the tendency as wearing so much jewelry you couldn't see the individual pieces. They weren't talking about my work specifically, but I could see the tendency very clearly, and it was slowing me down to a crawl. I would fuss over a word or a line or a paragraph for hours.

Now, my motto is "crap can be fixed," and I send virtual thanks daily to Nora Roberts for that sage bit of advice. I only allow myself one bit of elaborate description per page, sometimes per scene, and sometimes none at all, depending on the purpose of the scene. Action and transition scenes don't allow for much description. I try not to let myself go over the prior day's work, although that's pretty tough to enforce. I'm much better than I used to be, though. And I try never to use a big word when a smaller one will do just as well. In other words, my goal is simplification. I want to tell a story, not write beautiful words, although doing both can be very satisfying, as long as it's not very often. <g>

Who has inspired you the most?

I was a psych major, so my main influences were personality theorists like Freud and Jung and Adler. It's probably taken me in a slightly different direction, but I don't regret at all having that as a background. I suspect in many ways it's been more beneficial than English could have, and it's definitely made me endlessly curious about the human psyche and how to delve into the secrets that we all hide, even from ourselves.

Which of all of the genres that you write for do you most enjoy?

I love them all for different reasons. The novellas are quick and fun, almost a slice of the characters' lives. They're probably easier in the sense that you don't have to delve as deeply into character, or plot the story as intricately, but that can make them difficult too. It can be challenging paring a story down to size and making it work for a novella. I can't explain how it's done. I think it's mostly in choosing right to begin with, and after doing a few, you get a sense for what will work and what won't.

Probably the toughest novels for me to write these days are the short series. I'm long-winded, as you can probably tell, lol, and my series stories tend to get away from me and want to be longer, bigger, deeper stories than they can be for the format. I have to be really disciplined when I'm writing series, and I'm struggling with that right now. I love them, though, because they give me a chance to tap into my romantic comedy instincts in a way that single title doesn't.

The single titles are a joy to write because I can do darker characters and really dig in and excavate. But single title has its own inherent problems, and even a big book can have too much going on and become over-complicated. I love complications, and I really have to watch myself and stay focused on keeping things linear. I think simplicity in plotting often lends itself to the richest and most fulfilling drama, but my nature is to want to tweak things. I just can't resist a plot twist!

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